Vertical City was commissioned to create a 12-hour version of YouTopia – entitled 2YouTopia – for Toronto’s Nuit Blanche all-night Art extravaganza on October 4th, 2014.


YouTopia Poster

YouTopia  (2011-2013)

Written and Directed by Bruce Barton
Dramaturgy by Pil Hansen
Performance by Kiran Friesen, Adam Paolozza, and Matthew Tapscott (as the voice of AL)
Puppetry/Spatial Engineering by Marcus Jamin
Soundscape by Richard Windeyer
Set Design by Sherri Hay
Lighting Design by Laird MacDonald
Interactive Technology by Jim Ruxton
Puppetry Consultation by Anne Powell and David Powell (Puppetmongers Theatre)

YouTopia is a solo performance in one sense, a duet in another, and ultimately an interdisciplinary and intermedial collaboration. A lone character – Kiran – spends the entire piece suspended above a water abyss within a twisted maze of scaffolding and ladders. The room is a consistent contradiction: conspicuously “modern” and “space age” designs and attributes (a la the late 1960s) sit side-by-side with countless efforts to fix, patch, and repair its aging and obsolescent features with whatever materials are at hand (twine, wire, duct tape, etc.) There is an ever-present sense that the space has lost its moorings – or maybe its willingness to sit still – and its seams and joints are under increasing pressure to shift and come apart. As a result, the room’s fixtures – sink, table, stove, toilet, etc. – have surrendered their grip on the ground, and have begun to lift and twist and travel throughout the space, equally suspended, and it is around this changing domestic configuration that Kiran weaves and reweaves her web. Kiran’s primary objective is to survive – to get from moment to moment and day to day by imposing as much structure and order as possible within a heaving, disintegrating environment. But to do the simplest of tasks – brushing her teeth, making coffee, sleeping – she needs to get from one area to another, to meet her fixtures where they are (for the moment) hanging in midair. Beyond that, however, she must also collaborate with the room’s “identity” – an aging artificial intelligence unit named AL that is equally under the duress of time and neglect, and thus equally desperate to survive.

“[YouTopia] tackles lofty themes–isolation, technology, and dystopia–while showcasing impressive feats of strength and balance by its two embodied performers … The set and sound design are stunning, as is Friesen’s monkey-like ease in traversing the tall structure.” Carly Maga (

“[A]n intellectually stimulating and visually striking theatrical experience … Bruce Barton’s text and staging are evocative of human fragility amid the cold structures we’ve created to aid and protect us. Sherri Hay’s haunting set furthers this notion of humanity trapped in a self-constructed web and suspended above an abyss.” Istvan Dugalin (

“How Kiran in particular copes with a change in her long-unchanged environment is what we’re waiting to see; but the journey of how she gets there is what keeps the audience riveted.” Steve Fisher (

“[A] kind of laboratory exploring the possibilities of drama … A complex inter-disciplinary piece dense with meanings … The most meaningful use of aerial work I’ve ever seen … inserting aerial movement as an essential expressive element.” Leslie Barcza (

Promotional Trailer:
[vimeo 99878126 w=500 h=375]
Videos of developmental process:

[vimeo 83414620 w=500 h=282]
[vimeo 83614115 w=500 h=282]
Sample Review:
Sample of My Publication on Youtopia: “Subtle Spectacle: Risking Theatricality with Vertical City Performance.” About Performance (forthcoming 2014).

Images from YouTopia developmental process, January 2011:

Images from YouTopia premiere production, September 2013
Performed Glen Morris Studio Theatre, Toronto, ON, Canada