ABRACE Presentation, Brazil, November 2014: Works Cited

Presentation for the VIII Congresso da ABRACE / October 31 – Nov. 4, 2014
“Interactual Dramaturgy: Interdisciplinary Strategies for Collaborative Performance Creation”

by Bruce Barton, PhD
Centre for Drama, Theatre and Performance Studies
University of Toronto, CANADA

Works Cited

Austin, J. L. (1962) How to Do Things With Words. Cambridge, MA: Harvard UP.

Barba, Eugenio and Nicola Savarese. “Pre-Expressivity.” In Physical Theatres: A Critical Reader. Ed. John Keefe and Simon Murray. London and New York: Routledge, 2007.

Barton, Bruce (2009). “‘Stop Looking at Your Feet’: bluemouth’s Dance Marathon and Inter/Actual Dramaturgy.” Performance Research 14.3. 13-27.

—, ed. (2008). Collective Creation, Collaboration, and Devising. Critical Perspectives on Canadian Theatre in English. Toronto: Playwrights Canada Press.

Butler, Judith (1988). “Performative acts and gender constitution: An essay in phenomenology and feminist theory.” Theatre Journal 40.4. 519–31.

— (1997). Excitable Speech: A Politics of the Performative. New York: Routledge.

Contemporary Theatre Review 20.2 (2010). (Theme issue: “New Dramaturgies.”)

Derrida, Jacques (2002) Without Alibi, trans Peggy Kamuf. Standford: Stanford UP.

Edelman, Gerald M (1989). The Remembered Present: A Biological Theory of Consciousness. New York: Basic Books.

Govan, Emma, Helen Nicholson, and Katie Normington (2007). Making a Performance: Devising Histories and Contemporary Practices. London and New York: Routledge.

Hallensleben, Markus (2010). “Introduction: Performative Body Spaces.” Performative Body Spaces: Corporeal Topographies in Literature, Theatre, Dance, and the Visual Arts. Amsterdam and New York: Rodopi.

Hansen, Pil (2011). “Perceptual Dramaturgy: Swimmer (68).” Journal of Dramatic Theory and Criticism 25.2. 107-24.

— (2006). Dramaturgi og Perception. Diss. U of Copenhagen.

—, and Bruce Barton (2009). “Research-Based Practice: Situating Vertical City Between Artistic Development and Applied Cognitive Science.” TDR: The Drama Review 53.4. 120-36.

Heddon, Deirdre, and Jane Milling (2006). Devising Performance: A Critical History. Houndsmill, Basingstoke, Hampshire: Palgrave MacMillan.

Hutto, Daniel D. and Erik Myin (2012). Radical Enactivism: Basic Minds Without Content. Cambridge, MA: The MIT Press.

Ingold, Tim (2000). The Perception of the Environment: Essays on Livelihood, Dwelling and Skill. New York and London: Routledge.

Jackman, Christopher (2013). Disciplined Mind: Intuitive Cognition in Devised Performance. Diss. U of Toronto. Unpublished.

Lehmann, Hans-Thies and Patrick Primaversi (2009). “Dramaturgy on Shifting Grounds.” Performance Research 14.3. 3-6.

Lutterbie, John (2011). Toward a General Theory of Acting: Cognitive Science and Performance. Houndsmill, Basingstoke, Hampshire: Palgrave MacMillan.

Mermikides, Alex and Jackie Smart. Devising in Process (2010). Houndsmill, Basingstoke, Hampshire: Palgrave MacMillan, 2010.

Noë, Alva. Out of Our Heads: Why You Are Not Your Brain, and Other Lessons from the Biology of Consciousness (2010). New York: Hill and Wang.

— (2004). Action in Perception. Cambridge, MA: The MIT Press.

Performance Research 14.3 (2009). (Theme issue: “On Dramaturgy.”)

Roca, Marcio (2011). “Cognitive, Embodied or Enacted?: Contemporary Perspectives for

HCI and Interaction.” Transtechnology Research: Reader 2011. Plymouth, UK: Plymouth U.

Seigworth, Gregory J. and Melissa Gregg (2010). “An Inventory of Shivers.” The Affect Theory Reader. Ed. Melissa Gregg and Gregory J. Seigworth. Durham and London: Duke University Press, 2010.

Syssoyeva, Kathryn Mederos and Scott Proudfit (2008). Collective Creation in

Contemporary Performance. Houndsmill, Basingstoke, Hampshire: Palgrave MacMillan, 2013.

Thompson, Evan (2008). Mind in Life: Biology, Phenomenology, and the Sciences of Mind. Cambridge, MA: Belknap P, 2008.

Turner, Cathy and Synne K. Behrndt (2008). Dramaturgy and Performance. Houndsmill, Basingstoke, Hampshire: Palgrave MacMillan.

Varela, Franscico J., Evan Thompson, and Eleanor Rosch (1991). The Embodied Mind: Cognitive Science and Human Experience. Cambridge, MA: The MIT Press.

Varela, Franscisco J. and Humberto R. Maturana (1992). Trans. Robert Paolucci. The

Tree of Knowledge: The Biological Roots of Understanding. Boston, MA: Shambhala Pub.

Williams, David (2010). “Geographies of Requiredness: Notes on the Dramaturg inCollaborative Devising.” Contemporary Theatre Review 20.2. 197–202.

Zarrilli, Phillip (2009). Psychophysical Acting: An Intercultural Approach After Stanislavski. London & New York: Routledge.